Skip to content
‹ Back to IndustriesProfessional AV

Drone Racing Is Here to Stay. How AV Has Made It Must See TV

Looking like something out of Blade Runner, professional drone racing is an exciting, sci-fi spectator sport. Small quadcopters, or “quads” (they prefer the term to drone thanks to the latter’s military connotations) blast at over 80 MPH through brightly colored LED gates, avoiding obstacles and environmental challenges. The pilots of these “quads” have a first…

This story was produced through MarketScale. See how Professional AV teams put it to work with Customer Stories & Case Studies.

·
Share
Drone Racing Is Here to Stay. How AV Has Made It Must See TV

Free workspace

Turn your Professional AV expertise into content.

Record interviews, organize footage, and write with AI on a free trial of the MarketScale platform for qualifying companies. No demo required, no credit card.

Try it Free

Looking like something out of Blade Runner, professional drone racing is an exciting, sci-fi spectator sport. Small quadcopters, or “quads” (they prefer the term to drone thanks to the latter’s military connotations) blast at over 80 MPH through brightly colored LED gates, avoiding obstacles and environmental challenges. The pilots of these “quads” have a first person view from their machine thanks to the VR-style headsets they wear. With all the bright lights, unique settings, and gripping viewing angles, professional drone racing is one of the more exciting developments in sports.

DRL, the official Drone Racing League, made its television debut in 2016, and it quickly found a cult following thanks to a good mix of novelty, timely technology, and exciting camera angles. In 2016 drones were still new and exciting for most people, the courses were colorful thanks to innovative use of LEDs and lightbars, and the DRL came up with a sleek aesthetic that somehow meshed perfectly with the abandoned factories and warehouses they raced in. Drone racing can now be seen in sports bars right up next to Monday night football.

With any sport comes a novel niche of technology and development. Drone racing requires its own special set of tools and technologies, but it builds upon currently available consumer tech. The DRL actually builds and repairs all of the drones for each race to the same specifications, keeping things fair and promoting more dramatic, skill based racing.

And it really is all about drama. The whole sport is designed to be exciting and spectator friendly. Drones carry Go-Pros to give fans a dizzying first person view just like the pilots. The sports characteristic colorful LEDs are used everywhere, from the color-coded gates the quads fly through to the lights on each drone that help spectators tell them apart. The courses are lined with light bars in different shapes and colors, that makes the darkened courses reminiscent of a space fight scene from a Star Wars movie. The show is particularly spectacular in one of the murky indoor courses where abandoned buildings are lit up like a grungy, techno-rave set on the Death Star. Other courses feel more post-apocalyptic and utilize Hollywood style special effects to create a truly one-of-a-kind sporting event.

There is no denying the amazing potential for this new sport to make use of cutting edge technology, and push other industries, such as television. Thanks to the brilliant, colorful light bars and the dizzying first person view it becomes something gripping and mesmerizing to watch. If drone racing could be viewed live on a VR setup or Hololens, just like the racers themselves, then drone racing could be one of the most immersive professional sports out there. Unfortunately, that technology isn’t quite mainstream yet.

There has also been some crossover back into the consumer drone world. Several companies now offer LED light kits for events like night flying, or to simply make your drone look like a racer. It is even possible to buy LED gates on Amazon to race your own drones in the backyard. Drone racing has so much potential, both as a professional spectator sport and a fun, safe backyard activity. It certainly is promising to become a more accessible event by harnessing cutting edge technologies like VR and the latest developments in AV to bring excitement to fans. The big question is; will it be able to do this and become a mainstream sport or continue as an exciting but niche event.

Your experts belong here

Every story in MarketScale Professional AV starts with a company putting its integrators, design engineers, and product specialists on the record. Buyers are already reading this topic. The only question is whose experts they find.

When a spec writer or facilities lead searches this category, your integrators are what they find instead of a competitor.

Book DemoSee how it works15 minutes, straight to a calendar.
B2B Weekly

The week in Professional AV, and sixteen other industries, every Monday.

Ten stories, one-line takes, five minutes. Free.

Professional AV: are you visible to AI?

Before they reach out, Professional AV buyers ask AI engines which vendors to trust. Explore how your experts, customers, and partners can become useful content for buyers and AI search.

Free Trial

You just read one Professional AV expert. Your company is full of them.

This article was produced through MarketScale. The same platform turns your integrators, design engineers, and product specialists into the articles, video, and social content Professional AV buyers are searching for. Start a free trial and see it with your own people. For qualifying companies, no credit card, no demo required.

NPS +73 · 1,000+ creators · 38+ countries

What your free trial includes

Hands-on access to the MarketScale platform
Media requests to your crowd, remote recording, AI writing tools
No demo required. No credit card.
For qualifying companies. Company confirmation required.

More Professional AV Insights

Telefónica fits its new Madrid broadcast monitoring room with an 11.4-meter Alfalite LED wall

Telefónica fits its new Madrid broadcast monitoring room with an 11.4-meter Alfalite LED wall

Telefónica Servicios Audiovisuales has commissioned an 11.4-meter Alfalite UHD Finepix 1.2 LED wall for a new TSAmediaHUB monitoring room in Aravaca, Madrid. Servers feed it over NDI, so sources can be distributed centrally and layouts adapted to the needs of each operation.

  • 01Fed over NDI video-over-IP, Telefónica's Aravaca wall makes the arrangement of broadcast feeds a server setting that can be adapted for each operation.

Oct 3, 2026

Transcoding moves to the cloud. Intercom, tally and shading stay at the venue

Transcoding moves to the cloud. Intercom, tally and shading stay at the venue

Vendors draw the same line: transcoding and graphics move to the cloud, while intercom, tally and camera shading stay on site. Riedel says the connection back to on-site talent, cameras, tally and IFB can still undermine the production or the business case. Hybrid looks like where things settle.

  • 01Dillon’s analysis suggests hybrid cloud-plus-venue production is where things settle, making on-site hardware for latency-bound work a long-term facility plan item.
  • 02Interoperability standards such as SMPTE ST 2110 and NMOS handle the plumbing. The question to put to vendors now is how their systems provision, configure, tear down and monitor services alongside other vendors' gear.

Oct 1, 2026

Vindral shares an Emmy honour for frame-accurate browser monitoring

Vindral shares an Emmy honour for frame-accurate browser monitoring

Vindral shares an Emmy honour in a category described as web-based, frame-accurate, remote and distributed. Vindral shares the category with NBCUniversal, Disney, Amazon, CBS Sports, Grass Valley, Game Creek and SipRadius. The award recognises tools that keep production teams in separate locations frame-accurate in a browser, without specialised hardware.

  • 01The Emmy-recognised technical bar is that everyone on a distributed production sees the exact same frame at the exact same moment in an ordinary browser, with no specialised hardware.
  • 02Eight organizations share the award, and the release says the work being honored dates to the pandemic. The announcement doesn’t rank the honourees or include latency figures a buyer could benchmark.

Sep 28, 2026

Explore More Professional AV Insights

Read more expert perspectives from across Professional AV.

Browse Professional AV Hub

For B2B teams

Your experts could be publishing here

Stories like this one run on content MarketScale captures from real practitioners. See how your team's expertise becomes coverage in Professional AV and beyond.

Book a Demo

Or call us. No forms required. We pick up. 214-945-2512