The crew network, in motion.
Every pin on the globe is real work. Here's what the videographer network is filming right now — wrapping, booked, and on location around the world.
Real productions, open right now.
A live look at Productions currently open on the job board. Submission deadlines are Central Time and tick down to the minute. Apply to join and you can bid on work like this near you.
The videographers leading this month.
Ranked by productions filmed this month. Reputation is portable here — strong, reliable work compounds into more bookings.
From posting to payday in six steps.
No bidding wars and no net-60 waits. Here is exactly how a Production reaches you and turns into pay.
The best Productions come to the people who do great work.
Most videographers bid their first production within their first week on the platform.
The lowest bid doesn’t win. The right one does.
When you bid one all-in number, our matching weighs far more than price. It scores how well you fit the production, so reliable, well-rated videographers keep winning the work they’re right for, instead of getting undercut on a race to the bottom.
- Reliability: do you show up and deliver clean files on time
- Ratings: your QC scores from past productions
- Experience: the kinds of Productions you have run before
- Equipment: cameras, audio, lighting, and drone certification
- Proximity: how close you are keeps travel sane for everyone
How to keep winning the bookings you want.
Intelligent Bidding rewards fit and follow-through over the lowest number. Move the four inputs you control and the right Productions keep coming to you.
Build your all-in number from real costs: Production time, prep, travel, parking, meals, and standard gear. A clean, complete bid beats a low one that sprouts add-on invoices later.
On-time arrival, clean audio, and files uploaded the same day move your QC scores up. Ratings are weighted heavily, so every solid Production compounds into better bookings.
List the gear and Production types you actually own. The more your profile matches a brief, the higher you score on relevant productions.
Proximity keeps travel sane and reliability keeps you on the shortlist. Bid the Productions near you and deliver, and the matching keeps sending you more.
What separates a booking from a great one.
The videographers who climb fastest treat every production like it’s for the brand’s biggest customer. Because it is. Here’s the standard.
One number that covers everything, plus a one-line note on the kit you will bring. No vague ranges, no "TBD on travel."
Two cameras where the brief calls for them, a backup mic, spare batteries, and double the cards you think you need. Enterprise Productions rarely get a second take.
Lav plus a backup source, monitored on headphones. Bad audio sinks more B2B interviews than any picture problem.
Offload, check the files, and push to Studio before you leave the parking lot when you can. Fast, clean delivery is what gets your invoice paid that week.
- Run a two-camera interview kit: a main and a clean second angle covers most executive and customer-story briefs.
- Own your audio: wireless lavs, a shotgun, and a recorder you can monitor live. Audio quality is the most common QC flag.
- Carry a portable lighting kit. Controlled light separates a professional B2B film from event footage.
- Get FAA Part 107 certified. Drone certification opens up aerial briefs and project types most videographers can’t bid on.
- Keep redundant storage and a field backup workflow so no Production day depends on a single card.
Production days for enterprise clients.
These aren’t one-off gigs. You’ll capture content for Fortune 500 and category-leading brands, the kind of work that makes a portfolio.
Sit-down films with founders, CEOs, and senior leaders. Clean audio, controlled lighting, two cameras.
On-site at a client to capture the evidence behind a brand’s claims.
Hardware, facilities, and software shown in action, often in a plant, lab, or field setting.
Conference keynotes, booth interviews, and b-roll across a busy trade-show day.
Recent on-site productions include Extreme Networks in Paris and Microdrones across global markets, part of work spanning technology, industrial, healthcare, and energy brands in 38+ countries.
B2B brands can’t buy without video anymore.
The work behind these Productions isn’t a trend. Video now sits at the center of how enterprise buyers research and decide, which is why the productions keep posting.
of B2B buyers say video is an important factor in deciding whether to advance in a purchase.
of B2B buyers say video influenced their final vendor selection. Video helps decide the deal, not just inform it.
of businesses now use video as a marketing tool, up from 63% in 2017. Nearly every brand needs production work.
median U.S. pay for film & video editors, a credibility anchor for the craft, with demand for content cited as the driver.
The door’s open. The booking is earned.
We don’t vet you at the front door. Anyone can join and start bidding the same day — the review happens when your bid actually lines up with a Production, not before. Earn that one, and you’re on the crew.
Production teams, dispatched wherever the work is.
“MarketScale is able to support us globally, deploying video production teams wherever we need them, and the quality of their work is outstanding. The cinematic quality of the videos elevates how we present our brand, giving us a polished, large-company feel.”
Productions, bidding, and pay, answered.
The field handbook.
Onboarding, filming standards, and the on-set playbook — from camera and audio specs to directing the day, building client rapport, and uploading footage. The full library opens once you join.
Your next production day is already posted.
Local Productions, enterprise clients, one all-in bid you set yourself, and weekly pay with no net-60 wait.
Apply as a videographerFree to apply. A real person reviews your reel within a few business days.
Other tracks.
The B2B video you'll capture →What clients invest in production →
The productions you'll film
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